MARK GRAVER

MARK GRAVER

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  • Mark Graver RE
  • Mark Graver RE C.V
    • Artist Statements
    • Biography
  • Printmaking Works and Series
    • Soft Ground Etchings 2023
    • Coral Series & Avatele Series 2023
    • Tāwharanui Series 2022
    • Still Lives 2022
    • Interior Series 2022
    • Rangihoua 2021
    • Ritz Carlton Hotel Nanging Commission 2020
    • Still Lives 2019
    • Imagined & Remembered Places 2018 onwards
    • Introduced Birds 2018
    • In Series Exhibition 2018
    • Correspondences Exhibition Hobart 2016
    • Collage Series 2016
    • The Last of What Has Passed, the First of That Which Comes 2015/16
    • Time Slides 2015
    • Abbey Parish Memorials 2015
    • Undertow Series 2014
    • Forty Four Sounds 2012
    • Umbra Sumus Series 2012/13/14
    • The Harbin Series 2010
    • Archive of older works
      • Papaver Series 2017
      • Lake Series 2017
      • Tree Series 2016
      • Facade Series 2016
      • Alban Series 2015
      • Garden Series 2015/16
      • Constable Country 2012/13
  • Seas Until Sunday – Music
  • Video Art
    • Umbra Sumus 2015 video
    • Undertow Series
  • Sound
  • Digital Printmaking
    • Digital Prints Gallery
  • Paintings
  • Projects
    • Parallel Prints
    • “平行版画”
    • Combinations 2014
      • Combinations Exhibition 2014
    • RE:Print/RE:Present
  • Wharepuke Print Studio
    • Non Toxic Printmaking
    • Printmaking Workshops
    • International Printmaking Workshops
  • Art at Wharepuke Gallery
  • Works For Sale
  • Contact

Images tagged "acrylic-resist-etching"

[Show as slideshow]
caprea-2013-acrylic-resist-etching-900-x-500-mm
last-i-2013-acrylic-resist-etching-relief-900-x-500-mm
the-hay-wain-2013-carborundum-1210-x-1820-mm

umbra-sumus-2013-300 photopolymer-etching 200-x-200-mm
umbra-sumus-i-2013-acrylic-resist-etching-aquatint-900-x-500-mm
1906-2013photopolymer-etching-acrylic-resist-etching-200-x-200-mm

last-ii-2013-photopolymer-etching-relief-200-x-200-mm
Salix  2013 photopolymer-etching 200-x-200-mm
Umbra Sumus 2013 photopolymer etching 250 x 250 mm

1-harbin-i-2010-etching-100-x-150-mm
2-harbin-ii-2010-etching-100-x-150-mm
nympheas-i-2009-etching-500-x-900-mm

3-harbin-iii-2010-etching-100-x-150-mm
nympheas-ii-2009-etching-500-x-900-mm
4-harbin-iv-2010-etching-100-x-150-mm

nympheas-iii-2009-etching-500-x-900-mm
5-harbin-v-2010-etching-100-x-150-mm
strand-i-2012-etching-100x150mm

6-harbin-vi-2010-etching-100-x-150-mm
strand-ii-2012-etching-100x150mm
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Printmaking – Video – Sound – Painting

  • Mark Graver RE
  • Mark Graver RE C.V
    • Artist Statements
    • Biography
  • Printmaking Works and Series
    • Soft Ground Etchings 2023
    • Coral Series & Avatele Series 2023
    • Tāwharanui Series 2022
    • Still Lives 2022
    • Interior Series 2022
    • Rangihoua 2021
    • Ritz Carlton Hotel Nanging Commission 2020
    • Still Lives 2019
    • Imagined & Remembered Places 2018 onwards
    • Introduced Birds 2018
    • In Series Exhibition 2018
    • Correspondences Exhibition Hobart 2016
    • Collage Series 2016
    • The Last of What Has Passed, the First of That Which Comes 2015/16
    • Time Slides 2015
    • Abbey Parish Memorials 2015
    • Undertow Series 2014
    • Forty Four Sounds 2012
    • Umbra Sumus Series 2012/13/14
    • The Harbin Series 2010
    • Archive of older works
      • Papaver Series 2017
      • Lake Series 2017
      • Tree Series 2016
      • Facade Series 2016
      • Alban Series 2015
      • Garden Series 2015/16
      • Constable Country 2012/13
  • Seas Until Sunday – Music
  • Video Art
    • Umbra Sumus 2015 video
    • Undertow Series
  • Sound
  • Digital Printmaking
    • Digital Prints Gallery
  • Paintings
  • Projects
    • Parallel Prints
    • “平行版画”
    • Combinations 2014
      • Combinations Exhibition 2014
    • RE:Print/RE:Present
  • Wharepuke Print Studio
    • Non Toxic Printmaking
    • Printmaking Workshops
    • International Printmaking Workshops
  • Art at Wharepuke Gallery
  • Works For Sale
  • Contact
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